Filed under: General
BIBLIOGRAFIA BASICA
• Bordwell, David & Kristin Thompson, Arte Cinematográfico. McGraw Hill, New York, 2003
• Bordwell, David. Narración en el cine de ficción.
• Braudy, Leo and Marshall Cohen. Film Theory and Criticism. Introductory Readings. Oxford UP, New York, 1999.
• Chion, Michel. Audio Visión : Sounds on Screen. Columbia University Press, Nueva York, 1994
• Chion, Michel. Como se escribe un guión.
FILMOGRAFÍA
• A Bout de Soufflé (Al final de la escapada), Jean Luc Goddard, 1959
• A Clockwork Orange (La naranja mecánica), Stanley Kubrick, 1971
• A Personal Journey with Martin Scorsese Through American Movies, (Un viaje personal con Martin Scorsese a través de las películas de Estados Unidos), Martin Scorsese, 1995
• Adaptation (El ladrón de orquídeas), Spike Jonze, 2002
• Akira, Katsuhiro Ôtomo, 1988
• Almost famous (Casi famosos), Cameron Crowe, 2000
• American Splendor (Esplendor Americano), Robert Pulcini, 2003
• Annie Hall (Annie Hall), Woody Allen, 1977
• Blow Out (Impacto), Brian De Palma, 1981
• Blow Up (Blow up - Deseo en una mañana de verano), Michelangelo Antonioni, 1966
• Blue Velvet, David Lynch, 1986
• Boogie Nights (Juegos de placer), Paul Thomas Anderson, 1997
• Bottle Rocket, Wes Anderson, 1996
• Dogville, Lars von Trier, 2003
• Down by Law (Bajo el peso de la ley), Jim Jarmusch, 1986
• Eternal Sunshine of the Spotless Mind, Michel Gondry, 2004
• Goodfellas (Buenos muchachos), Martin Scorsese, 1990
• Koyaanisqatsi, Godfrey Reggio, 1982
• Memento, Christopher Nolan, 2000
• Modern Times (Tiempos modernos), Charles Chaplin, 1936
• Mon oncle, Jacques Tati, 1958
• Mulholland Dr., David Lynch, 2001
• Pink Flamingos (Pink Flamingos), John Waters, 1972
• Playtime, Jacques Tati, 1967
• Pump Up the Volume, Allan Moyle, 1990
• Rushmore, Wes Anderson, 1998
• Romeo + Juliet, Baz Luhrmann, 1996
• Stalker, Andrei Tarkovsky, 1979
• Taxi driver (Taxi Driver), Martin Scorsese, 1976
• The Band Wagon (Melodías de Broadway), Vincente Minnelli, 1953
• The Life Aquatic, Wes Anderson, 2004
• The Thin Red Line, Terrence Malick, 1998
• Wild at Heart (Corazon salvaje), David Lynch, 1990
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