{"id":65,"date":"2009-01-14T08:18:20","date_gmt":"2009-01-14T13:18:20","guid":{"rendered":"http:\/\/www.icesi.edu.co\/blogs\/generoscine\/bibliografia-filmografia\/"},"modified":"2009-01-14T08:18:20","modified_gmt":"2009-01-14T13:18:20","slug":"bibliografia-filmografia","status":"publish","type":"page","link":"https:\/\/www.icesi.edu.co\/blogs\/generoscine\/bibliografia-filmografia\/","title":{"rendered":"Bibliograf\u00eda &amp; Filmograf\u00eda"},"content":{"rendered":"<p>BIBLIOGRAF\u00cdA B\u00c1SICA<\/p>\n<p>\u2022\tAltman, Rick. Film\/Genre. BFI, London, 1999<\/p>\n<p>\u2022\tBraudy, Leo and Marshall Cohen. Film Theory and Criticism. Introductory Readings. Oxford UP, New York, 1999.<\/p>\n<p>\u2022\tCohan, Steven, ed. Hollywood Musicals; The Film Reader. Routledge, London &amp; New York, 2001<\/p>\n<p>\u2022\tDyer, Richard. Pastiche. Routledge, New York, 2007<\/p>\n<p>\u2022\tJancovich, Mark. Horror. The Film Reader. Routledge, London, 2002<\/p>\n<p>\u2022\tKuhn, Annette. Alien Zone II. Verso, London, 1999<\/p>\n<p>\u2022\tNeale, Steve. Genre and Hollywood. Routledge, London &amp; New York, 2000<\/p>\n<p>\u2022\tSilver, Alain and James Ursini, eds. Film Noir, A Reader. Limelight Editions,<br \/>\n\u2022\tNew York, 2000<\/p>\n<p>\u2022\tWalker, Janet, ed. Westerns: Films Through History. Routledge, New York, London, 2001<\/p>\n<p>FILMOGRAF\u00cdA<\/p>\n<p>\u2022\tA Personal Journey with Martin Scorsese Through American Movies, (Un viaje personal con Martin Scorsese a trav\u00e9s de las pel\u00edculas de Estados Unidos), Martin Scorsese, 1995<br \/>\n\u2022\tAlien (Alien, el octavo pasajero), Ridley Scott, 1979<br \/>\n\u2022\tAlmost famous (Casi famosos), Cameron Crowe, 2000<br \/>\n\u2022\tBlade Runner, Ridley Scott, 1982<br \/>\n\u2022\tBlue Velvet, David Lynch, 1986<br \/>\n\u2022\tChinatown (Barrio chino), Roman Polanski, 1974<br \/>\n\u2022\tDancer in the Dark (Bailando en la oscuridad), Lars von Trier, 2000<br \/>\n\u2022\tDouble Indemnity, Billy Wilder, 1945<br \/>\n\u2022\tEl d\u00eda de la bestia (El d\u00eda de la bestia), \u00c1lex de la Iglesia, 1995<br \/>\n\u2022\tKiss Me Deadly, Robert Aldrich, 1955<br \/>\n\u2022\tLone Star, John Sayles, 1996<br \/>\n\u2022\tMemento, Christopher Nolan, 2000<br \/>\n\u2022\tMoulin Rouge!, Baz Luhrmann, 2001<br \/>\n\u2022\tPsycho (Psicosis), Alfred Hitchcock, 1960<br \/>\n\u2022\tPulp Fiction (Pulp Fiction), Quentin Tarantino, 1994<br \/>\n\u2022\tRay (Ray), Taylor Hackford, 2004<br \/>\n\u2022\tRed River (R\u00edo rojo), Howard Hawks, 1948<br \/>\n\u2022\tSingin in the Rain (Cantando bajo la lluvia), Gene Kelly \/ Stanley Donen, 1952<br \/>\n\u2022\tStagecoach, John Ford, 1939<br \/>\n\u2022\tThe Band Wagon (Melod\u00edas de Broadway), Vincente Minnelli, 1953<br \/>\n\u2022\tThe Constant Gardner (El jardinero fiel), Fernando Meirelles, 2005<br \/>\n\u2022\tThe Getaway, Sam Peckinpah, 1972<br \/>\n\u2022\tThe Rocky Horror Picture show (The Rocky Horror Picture Show), Jim Sharman, 1975<br \/>\n\u2022\tThe searchers, John Ford, 1956<br \/>\n\u2022\tThe Shining, Stanley Kubrick, 1980<br \/>\n\u2022\tThe Wild Bunch , Sam Peckinpah, 1969<br \/>\n\u2022\tThis is Spinal Tap (This is Spinal Tap), Rob Reiner, 1984<br \/>\n\u2022\tTouch of evil (Sed de mal), Orson Welles, 1958<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BIBLIOGRAF\u00cdA B\u00c1SICA \u2022 Altman, Rick. Film\/Genre. BFI, London, 1999 \u2022 Braudy, Leo and Marshall Cohen. Film Theory and Criticism. Introductory Readings. Oxford UP, New York, 1999. \u2022 Cohan, Steven, ed. Hollywood Musicals; The Film Reader. Routledge, London &amp; New York, 2001 \u2022 Dyer, Richard. Pastiche. Routledge, New York, 2007 \u2022 Jancovich, Mark. Horror. The Film &hellip; <a href=\"https:\/\/www.icesi.edu.co\/blogs\/generoscine\/bibliografia-filmografia\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Bibliograf\u00eda &amp; Filmograf\u00eda<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-65","page","type-page","status-publish","hentry"],"aioseo_notices":[],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"margarita","author_link":"https:\/\/www.icesi.edu.co\/blogs\/generoscine\/author\/66923096\/"},"rttpg_comment":0,"rttpg_category":null,"rttpg_excerpt":"BIBLIOGRAF\u00cdA B\u00c1SICA \u2022 Altman, Rick. Film\/Genre. BFI, London, 1999 \u2022 Braudy, Leo and Marshall Cohen. Film Theory and Criticism. Introductory Readings. Oxford UP, New York, 1999. \u2022 Cohan, Steven, ed. Hollywood Musicals; The Film Reader. Routledge, London &amp; New York, 2001 \u2022 Dyer, Richard. Pastiche. Routledge, New York, 2007 \u2022 Jancovich, Mark. Horror. The Film&hellip;","_links":{"self":[{"href":"https:\/\/www.icesi.edu.co\/blogs\/generoscine\/wp-json\/wp\/v2\/pages\/65"}],"collection":[{"href":"https:\/\/www.icesi.edu.co\/blogs\/generoscine\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.icesi.edu.co\/blogs\/generoscine\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.icesi.edu.co\/blogs\/generoscine\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.icesi.edu.co\/blogs\/generoscine\/wp-json\/wp\/v2\/comments?post=65"}],"version-history":[{"count":0,"href":"https:\/\/www.icesi.edu.co\/blogs\/generoscine\/wp-json\/wp\/v2\/pages\/65\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.icesi.edu.co\/blogs\/generoscine\/wp-json\/wp\/v2\/media?parent=65"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}