{"id":608,"date":"2013-02-05T07:02:38","date_gmt":"2013-02-05T12:02:38","guid":{"rendered":"http:\/\/www.icesi.edu.co\/blogs\/teorema\/?p=608"},"modified":"2013-02-28T08:42:45","modified_gmt":"2013-02-28T13:42:45","slug":"andrei-rublev-andrey-tarkovskiy-1966","status":"publish","type":"post","link":"https:\/\/www.icesi.edu.co\/blogs\/teorema\/2013\/02\/05\/andrei-rublev-andrey-tarkovskiy-1966\/","title":{"rendered":"Andrei Rublev, Andrey Tarkovskiy (1966)"},"content":{"rendered":"<p style=\"text-align: center\">[vimeo]http:\/\/vimeo.com\/6946302[\/vimeo]<\/p>\n<p>A comienzos del siglo XV, el monje pintor Andrei Rublev acude junto con sus compa\u00f1eros a Mosc\u00fa para pintar los frescos de la catedral de la Asunci\u00f3n del Kremlin. Fuera del aislamiento de su celda, Rublev comenzar\u00e1 a percatarse de las torturas, crimenes y matanzas que tienen aterrorizado al pueblo ruso&#8230; La biograf\u00eda del pintor ruso Andrei Rublev -Andrei Rubliov-, famoso por sus iconos, sirve de base para hacer un minucioso retrato de la vida social, pol\u00edtica y art\u00edstica en la Rusia de principios del siglo XV. (FILMAFFINITY)<\/p>\n<p><strong>Direcci\u00f3n:<\/strong>\u00a0Andrei Konchalovsky<br \/>\n<strong>Gui\u00f3n:<\/strong>\u00a0Andrei Konchalovsky, Andrei Tarkovsky<br \/>\n<strong>Interpretaci\u00f3n:<\/strong>\u00a0Anatoly Solonitsyn, Ivan Lapikov, Nikolai Sergeyev, Nikolai Grinko, Irma Rausch, Nikolai Burlyayev, Mikhail Kononov, Rolan Bykov, Nelly Snegina, Yuri Nazarov, Yuri Nikulin, Nikolai Grabbe, Stepan Krylov, Bolot Beyshenaliyev, Irina Miroshnichenk<\/p>\n<p><strong>A\u00f1o:<\/strong>\u00a01966<\/p>\n<p><strong>Duraci\u00f3n:<\/strong>\u00a0185 min<\/p>\n<p>Febrero 7, 12pm<\/p>\n<p>Auditorio Delima (antiguo auditorio 7), Universidad Icesi<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vimeo]http:\/\/vimeo.com\/6946302[\/vimeo] A comienzos del siglo XV, el monje pintor Andrei Rublev acude junto con sus compa\u00f1eros a Mosc\u00fa para pintar&hellip;<\/p>\n","protected":false},"author":42165207,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-608","post","type-post","status-publish","format-standard","hentry"],"aioseo_notices":[],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"Claudia Jimena Abello Castiblanco","author_link":"https:\/\/www.icesi.edu.co\/blogs\/teorema\/author\/1130683065\/"},"rttpg_comment":0,"rttpg_category":"Uncategorized","rttpg_excerpt":"[vimeo]http:\/\/vimeo.com\/6946302[\/vimeo] A comienzos del siglo XV, el monje pintor Andrei Rublev acude junto con sus compa\u00f1eros a Mosc\u00fa para pintar&hellip;","_links":{"self":[{"href":"https:\/\/www.icesi.edu.co\/blogs\/teorema\/wp-json\/wp\/v2\/posts\/608"}],"collection":[{"href":"https:\/\/www.icesi.edu.co\/blogs\/teorema\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.icesi.edu.co\/blogs\/teorema\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.icesi.edu.co\/blogs\/teorema\/wp-json\/wp\/v2\/users\/42165207"}],"replies":[{"embeddable":true,"href":"https:\/\/www.icesi.edu.co\/blogs\/teorema\/wp-json\/wp\/v2\/comments?post=608"}],"version-history":[{"count":5,"href":"https:\/\/www.icesi.edu.co\/blogs\/teorema\/wp-json\/wp\/v2\/posts\/608\/revisions"}],"predecessor-version":[{"id":612,"href":"https:\/\/www.icesi.edu.co\/blogs\/teorema\/wp-json\/wp\/v2\/posts\/608\/revisions\/612"}],"wp:attachment":[{"href":"https:\/\/www.icesi.edu.co\/blogs\/teorema\/wp-json\/wp\/v2\/media?parent=608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.icesi.edu.co\/blogs\/teorema\/wp-json\/wp\/v2\/categories?post=608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.icesi.edu.co\/blogs\/teorema\/wp-json\/wp\/v2\/tags?post=608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}