Main Article Content
Ashtanga is a musical composition for cello and interactive visual media aiming to achieve a state of expanded consciousness. It is a work where the artist makes use of the multiple correlations of musical language, and through two interfaces allows listeners to enjoy a mirror-like dialogue within an interactive world, while, at the same time, access to the systems that make it possible. The result is a collection of timbres and textures which, when superimposed, offer a world of possibilities of orchestration. The visuals projected just above the interpreter provide a synthesis of unity and multiplicity, is a narrative endowed with dynamic growth designed to obey organically to sound, taking care of not overwhelming the audience, avoiding chaotic reproduction. In synthesis, a world is staged through a connected set of objects and individuals, a habitable environment, a reasonably intelligible totality to all outside observers and a field of activity for the interpreter.
This journal is licensed under the terms of the CC BY 4.0 licence (https://creativecommons.org/licenses/by/4.0/legalcode).
DeRose, M. (2007). Quando é preciso ser forte [ed.37]. Sao Paulo, Brasil: DeRose/Nobel.
Goodman, N. (1978). Maneras de hacer mundos. Madrid, España: Visor.
Heim, M. (1998). Virtual Realism. Nueva York, NY: Oxford University Press.
RYAN, M.L. (2001). La narración como realidad virtual: la inmersión y la interactividad en la literatura y en los medios electrónicos. Barcelona, España: Paidós.