Ashtanga - Sound graphic intermediation: musical composition for cello and interactive visual

Sebastián Uribe Aguilar, Matías Uribe Ramírez, Esteban Gutiérrez Muriel

Abstract


Ashtanga is a musical composition for cello and interactive visual media aiming to achieve a state of expanded consciousness. It is a work where the artist makes use of the multiple correlations of musical language, and through two interfaces allows listeners to enjoy a mirror-like dialogue within an interactive world, while, at the same time, access to the systems that make it possible. The result is a collection of timbres and textures which, when superimposed, offer a world of possibilities of orchestration. The visuals projected just above the interpreter provide a synthesis of unity and multiplicity, is a narrative endowed with dynamic growth designed ​​to obey organically to sound, taking care of not overwhelming the audience, avoiding chaotic reproduction. In synthesis, a world is staged through a connected set of objects and individuals, a habitable environment, a reasonably intelligible totality to all outside observers and a field of activity for the interpreter.


Keywords


Music; electroacustic; graphic, immediacy; hyperconsciousness.

References


DeRose, M. (1995). Yôga avanzado. Sao Paulo, Brasil: Unión Nacional de Yôga.

DeRose, M. (2007). Quando é preciso ser forte [ed.37]. Sao Paulo, Brasil: DeRose/Nobel.

Goodman, N. (1978). Maneras de hacer mundos. Madrid, España: Visor.

Heim, M. (1998). Virtual Realism. Nueva York, NY: Oxford University Press.

RYAN, M.L. (2001). La narración como realidad virtual: la inmersión y la interactividad en la literatura y en los medios electrónicos. Barcelona, España: Paidós.




DOI: http://dx.doi.org/10.18046/syt.v10i22.1247

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